A Pair of Blue Eyes Thomas Defendant Hardy Thomas Hardy 9781484849309 Books
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A Pair of Blue Eyes Thomas Defendant Hardy Thomas Hardy 9781484849309 Books
A Pair of Blue Eyes is the third novel by Thomas Hardy (1840-1928) the brilliantly ironic and skeptical native of Dorchester England. The plot concerns the love triangle between Elfrida Swancourt and two suitors. The first man is Stephen Smith who as an assistant architect meets Elfrida when he encounters her on a church restoration project in distant Wessex. The second lover is Henry Knight based in part on Hardy's friend Horace Moule. He is a literary Hamlet type. Smith is similar in personality to the young Hardy who met his first wife Emma Gifford while on an architectural assignment. The book is filled with humor but ends in tragedy. The scene where Knight is rescued by Elfrida by her using her clothing to bring up to safety after he hangs on a cliff shocked Victorian sensibilities. Hardy considered this novel to be a romance and his writing is beautifully rendered. The novel is considered minor Hardy but it is still much better than the vast majority of modern novels published in the present day. I have been a Hardy fan for at least fifty years and he resides along with Austen, Dickens and Trollope as one of my favorite English authors.Product details
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A Pair of Blue Eyes Thomas Defendant Hardy Thomas Hardy 9781484849309 Books Reviews
Spoiler alert. Most of the novel is light-hearted until the twists begin. It's not "Tess", but you see Hardy's complexity developing.
"A pair of Blue Eyes" is one the least well known of Hardy's works. I discovered his novels and poetry years ago and treasured his great contribution to literature. This novel however is not on the level of other works of his thus the three stars. Anyone with a modicum of knowledge in literature learns to analyze and value different genre's by reading the classics.
It's not one of his best, but Hardy is usually an entertaining read. The female protagonist is a little less likable for modern tastes, but no less tragic than other Hardy women.
Thomas Hardy longed to be a poet and wrote novels reluctantly to make a living by the pen until his poetry found a market. Fortunately for him, he proved a better novelist than a poet and found a wide audience. His literary reputation flagged for a while after World War I, and his ponderous style and occasional purple passages were often pilloried or parodied even during his lifetime. Somerset Maugham's 'Cakes and Ale' is itself a trenchant view of Hardy's literary reputation late in life and the 'industry' that grew up around it. Yet, Hardy is above all that. He seems to get rediscovered anew by each generation -- a sure sign of enduring merit. Hardy is unlikely to be anyone's favorite author. His vision is dark, and he makes few concessions to those unwilling to think. But he is a much better writer than commonly acknowledged, and a much deeper writer than Maugham.
Bill R. Moore and John Martin previously analyzed this novel correctly, and I will merely second their well expressed views. Let me merely append a note on the novel's structure. The core of this book is a love triangle between Steven Smith (an assistant architect like Hardy himself) and Henry Knight (the literary man Hardy hoped to be), who vie for the love of the heroine Elfride Swancourt (who is very like Emma Gifford, the sister-in-law of the local rector who Hardy wooed and ultimately won). The book is, therefore, highly autobiographical. The two men -- Smith and Knight -- represent a duality in Hardy's own personality and reflect his ambivalence about giving up a highly promising career in architecture for the uncertainties of writing for a living. This duality expresses itself repeatedly in other contexts throughout the novel. The story is not a melodramatic contest between a good man and a bad man, but a rivalry between two men who are both meritorious and equally flawed, each in his own way. Making this, perhaps, the most personal of Hardy's novels, as reflected by the fact that he continued to work on the book, off and on, throughout his life.
The world likes to pigeon-hole talent and render it one-dimensional. But Hardy refuses to be pigeon-holed. He was both architect and creative writer. He was justifiably proud of his accomplishments in the profession of architecture and hopeful, but never quite sure, of his genius in the world of literature. In fact, he mastered both, ultimately. As an architect, Hardy was very conscious of structure and craftsmanship, much more so than most contemporary novelists. The plot of this book reflects his precise nature and his intellect. This book is most assuredly about something, it has direction, and it explores many of the major themes in Hardy's later works. Consequently, it affords those who appreciate the art of literature an opportunity to examine the progress of a novelist learning to weave plot, character, setting, and tone, before he acquires the polish in his later works that make all the seams disappear.
I recommend this book, not as great literature, but as great literary skill in the making and as a starkly honest expression of Hardy's literary vision. It is a book to be studied. In that regard, the masterful introduction by Tom Dolin is worth the price of the book in itself. The text is superbly edited by Alan Manford and augmented by a very helpful chronology, bibliography, and notes. It is a scholarly addition to the other esteemed Oxford World's Classics and should find a place on every serious writer's shelf.
I thought I had read all of Hardy when I found this one. It's amazing how many coincidences there are in the plot, but it's still believable. This guy was a genius. It is almost a mystery. Characters start out likable, but end up pathetic. A sad tale, but a page turner.
***Possible Spoilers***
I admit that this is a slightly lesser novel than many of Hardy's other masterpieces, but the overall quality of the prose is so high that I have to give it a 5-star rating.(Especially when you consider the junky popular fiction that surrounds us). Hardy is a developing novelist in "A Pair of Blue Eyes" and the Oxford edition has an interesting essay about the autobiographical elements of the text. The story of Elfride, Stephen and Henry is moving and at times quite mesmorizing. Although the story doesn't carry the same level of passionate angst between Eustacia and Wildeve in "The Return of the Native", this fine novel is obviously an exercise for Hardy to hone those writing skills that later left us some of the greatest novels in the English language. For me, the famous "cliffhanger" scene lived up to my expectations, although I was surprised that it does not occur near the novel's end. Then I learned that the novel first appeared in serialized form, so Hardy literally left English readers "hanging", not knowing what was going to happen to Henry who was hanging off a cliff while Elfride looks on. The final 10 or 15 pages made me hold my breath as I waited to see the conclusion of the novel, even though Hardy doesn't make great efforts to hide the outcome from the reader. A great book is one in which we feel compelled to finish as quickly as we can, even though we may already know the outcome of the story. For me, then, this is a great book!
Recommended!
Not as good as the classic Thomas Hardy novels like Far From the Madding Crowd and Tess of the D'Urbervilles, this novel held my interest
throughout, and elicited empathy from this reader for the three main characters.
A Pair of Blue Eyes is the third novel by Thomas Hardy (1840-1928) the brilliantly ironic and skeptical native of Dorchester England. The plot concerns the love triangle between Elfrida Swancourt and two suitors. The first man is Stephen Smith who as an assistant architect meets Elfrida when he encounters her on a church restoration project in distant Wessex. The second lover is Henry Knight based in part on Hardy's friend Horace Moule. He is a literary Hamlet type. Smith is similar in personality to the young Hardy who met his first wife Emma Gifford while on an architectural assignment. The book is filled with humor but ends in tragedy. The scene where Knight is rescued by Elfrida by her using her clothing to bring up to safety after he hangs on a cliff shocked Victorian sensibilities. Hardy considered this novel to be a romance and his writing is beautifully rendered. The novel is considered minor Hardy but it is still much better than the vast majority of modern novels published in the present day. I have been a Hardy fan for at least fifty years and he resides along with Austen, Dickens and Trollope as one of my favorite English authors.
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